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23.7.23

_FILM FESTIVAL : 76TH LOCARNO FILM FESTIVAL

 

We are delighted to announce that the latest video work "The Currency: Sensing I Agbogbloshie" co-directed by Taiwanese artist Musquiqui Chihying, Togolese musician Elom 20ce, and German artist Gregor Kasper, has been selected as a finalist in the International Competition section of the 76th Locarno Film Festival in Switzerland.














In this film, the three artists use a combination of visuals and sound to embark on a journey with the audience, exploring the world's largest electronic waste disposal site on the outskirts of Accra, Ghana, known as Agbogbloshie. Here, every day, electronic waste from around the globe, including old mobile phones and computers, is skillfully disassembled and sorted by local workers. However, due to the lack of adequate recycling systems and equipment, the toxic substances generated from decomposing electronic waste inevitably find their way into the natural ecosystem, are absorbed by living organisms and the soil, or even ended up in the ocean.

To delve into the enormous impact of transnational capitalism in the global South, the trio ingeniously integrates performance videos, experimental music, and documentary film in their creative process. Through this interdisciplinary collaboration, they use the medium of video to provoke profound reflections and raise awareness among audiences about this pressing global issue.

The selection of this work in the festival is a recognition of the creators' dedication to exploring this topic in-depth and provides viewers with a unique perspective on the realities and consequences of human activities. We anticipate that this work will resonate with a wide audience and offer valuable insights towards building a more sustainable future.

more info ☞

76th LOCARNO FILM FESTIVAL




4.6.23

_EXHIBITION : TOO LOUD A DUST


Tabula Rasa Gallery

Unit One, 99 East Road, Hoxton

London N1 6AQ






























Too Loud A Dust

Musquiqui Chihying


31. May - 29. June 2023

Tue - Sat 12:00-18:00

Closed on Sun and Mon


Tabula Rasa Gallery is excited to announce Too Loud A Dust, the latest solo exhibition by Berlin & Taipei-based artist Musquiqui Chihying, opening on 31 May 2023 at the gallery's London location. As the former artist-in-residence of the Delfina Foundation, Chihying’s research-based exhibition tackles the question of how to clean a museum, a complex issue that requires a diverse range of technical skills, such as dusting, microbial sampling, analysis, and preservation methods. The exhibition highlights how dust accumulation in display cabinets contains valuable information, such as the presence of biological species in the exhibition area and potential risks to the collections. Given the significance of environmental indicators in exhibition areas, museums specialising in human anthropology and natural history require meticulous monitoring, making museum cleaning intrinsically linked to the preservation of collections and the maintenance of exhibitions.


































Beyond the physical space, anthropologist Mary Douglas has revealed the complex symbolic meanings of ‘purity,’ which encompass culture, rituals, and identity politics, with ambiguous concepts of cleanliness and dirtiness. Too Loud a Dust exhibition aims to present the latest works by Musquiqui Chihying, who has long explored the social functionality of museums, against the backdrop of a paradigm shift in museum politics.


Chihying’s research, conducted during the pandemic period at the Delfina Foundation, delves into two events from 1910: the construction of the Formosa Hamlet by the Japanese Empire at the Japanese-British Exhibition in London, and the publication of ‘Diseases of China: Including Formosa and Korea’ by British missionary James Laidlaw Maxwell in the same year. The exhibition, in collaboration with the Pitt Rivers Museum at the University of Oxford, aims to reevaluate the complex relationships among displays, images, and ideological constructions, employing perspectives from microbiology and pathology.



  Installation view @ Tabula Rasa Gallery

































more info 



5.11.22

_FILM FESTIVAL : 59TH GOLDEN HORSE FILM FESTIVAL

 

59th Taipei Golden Horse Film Festival

Golden Horse Award



The 59th Golden Horse Awards Ceremony 

Time /  2022.11.19 (Sat.)  17:30 Red Carpet · 19:00 Awards Ceremony

Venue / National Dr. Sun Yat-sen Memorial Hall (No.505, Sec.4, Ren-ai Rd., Taipei)


THE LIGHTING screening schedule & venues /

12. Nov  (Sat) 10:30  Vie Show Hsin Yi 9 

15. Nov  (Tue) 12:20  Vie Show Hsin Yi 9 

17. Nov  (Thu) 19:30  BREEZE CINEMAS B  



The 2022 Taipei Golden Horse Film Festival (TGHFF) will be held in Taipei from November 2nd to November 20th. As the longest-running and the biggest film festival in Taiwan, TGHFF comes up with an extensive programme to full fill cinephiles’ thirst for a visual and spiritual enlightenment. The Golden Horse Awards are among the most prestigious and time-honored film awards in the world of Chinese language cinema. Established in 1962, the awards have given recognition to numerous excellent filmmakers working in Chinese-language cinema. Past winners of the best director award include LEE Hsing, King HU, LI Han-hsiang, BAI Ching-zue, HOU Hsiao-hsien, Edward YANG, Ang LEE, TSAI Ming-liang, WONG Kar-wai, John WOO, TSUI Hark, Ann HUI, Stephen CHOW, Johnnie TO, Peter CHAN and JIANG Wen. The most celebrated stars of Chinese language cinema have won best actor and actress awards, including Maggie CHEUNG, Tony LEUNG, SHU Qi, CHOW Yun-fat, Jackie CHAN, Andy LAU, Aaron KWOK, Brigitte LIN, Joan LIN, Charlie CHIN and CHIN Han. 





The Golden Horse Awards are among the most prestigious and time-honored film awards in the world of Chinese language cinema. Established in 1962, the awards have given recognition to numerous excellent filmmakers working in Chinese-language cinema. Past winners of the best director award include LEE Hsing, King HU, LI Han-hsiang, BAI Ching-zue, HOU Hsiao-hsien, Edward YANG, Ang LEE, TSAI Ming-liang, WONG Kar-wai, John WOO, TSUI Hark, Ann HUI, Stephen CHOW, Johnnie TO, Peter CHAN and JIANG Wen. The most celebrated stars of Chinese language cinema have won best actor and actress awards, including Maggie CHEUNG, Tony LEUNG, SHU Qi, CHOW Yun-fat, Jackie CHAN, Andy LAU, Aaron KWOK, Brigitte LIN, Joan LIN, Charlie CHIN and CHIN Han. 


The Golden Horse Awards welcome annual entries from Taiwan, Hong Kong, China and other Chinese speaking areas. The nominations and results of 24 awards are decided by a group of jurors consisting of film professionals; their deliberations take place after they view every single film. We are pleased to announce THE LIGHTING has been nominated for Best Documentary Short Film. All nominated films will be screened at the Golden Horse Film Festival starting from November 2nd; tickets for sale from October 22nd. The 59th Golden Horse Awards Ceremony will be held on November 19th at National Dr. Sun Yat-sen Memorial Hall in Taipei, live broadcast by TTV and streaming exclusively on MyVideo. For updates and info of the festival and the ceremony, please check the official website and Facebook Fan Page.



more info ☞

59th Taipei Golden Horse Film Festival





3.11.22

_EXHIBITION : THE OCEANS AND THE INTERPRETERS

HONG GAH MUSEUM

11F., No.166, Daye Road, Beitou District, 

Taipei City 11268 Taiwan




































The Oceans And The Interpreters


22. Oct 2022 - 15. Jan 2023

Tue - Sun 10:30-17:30

Closed on Mon



“The Oceans and the Interpreters” endeavors to respond to The Interpreters (1965) by the Nigerian author Wole Soyinka, which talks about several friends of different professions returning to the newly established Nigeria after their study abroad and how they are lost in the identity maze of an emerging nation. “The Oceans and the Interpreters” can be seen as the journey to the pan-African cultural circle the curator embarked on since 2017 and the research result of that phase. In this exhibition, aside from introducing African and Caribbean arts to Asian audiences, it further aims to probe into the artistic perspectives of African-Asian relationships.






The ocean, as a neutral landscape, is nevertheless connected to speech. It has witnessed the rise and fall of nation-states on the continents as well. The narrative of this exhibition seeks to employ the history of the trans-Atlantic African cultural circle as the point of departure, treating the region of the Indian Ocean and the Pacific Ocean as a kind of mirror world. In addition to the attempt to contemplate the African-Asian relationship in contemporary history, it stresses on the winding paths of the African cultural circle and the Asian counterpart as the observer/observee and their interpretations of each other. The exhibition hopes its viewers will come to realize that it is Africa as well as Asia here; it is the modern Tower of Babel as well as a land of exile; it is the ocean as well as a place for the interpreters’ soliloquy.


As a beneficiary of the curatorial program of the National Culture and Arts Foundation, “The Oceans and the Interpreters” is an exhibition of the results produced from the residency research in 2019. A video art exchange exhibition was organized in 2020 and 2021, respectively. Following the trade route that has existed since ancient times, this exhibition will travel to South Asia and the coast of West Africa for display in 2023.



Artists /

AU Sow Yee / Malaysia, Taiwan

CHANG En Man + Temitayo Ogunbiyi / Taiwan + Nigeria

CHE Onejoon / Korea

LIN Jin Da + YU Cheng Che / Taiwan

Salah Elmur / Sudan

Mulugeta Gebrekidan / Ethiopia

HOO Fan Chon / Malaysia

Tirzo Martha / Curaçao

Naeem Mohaiemen / Bangladesh

Carlos Motta / Colombia, USA

Musquiqui Chihying + Elom 20ce + Gregor Kasper / Taiwan, Togo, Germany

Tuan Andrew Nguyen / Vietnam

Posak Jodian / Taiwan

Mark Salvatus / The Philippines

Ousmane Sembène / Senegal

Stefanos Tsivopoulos / Greece

WANG Hong Kai + Lou MO / Taiwan, Canada

YAO Jui Chung + Hank CHENG / Taiwan


Curated by Takamori Nobuo


Organizers /

Chew’s Culture Foundation

Hong Gah Museum

Solid Art

Britto Arts Trust

Centre for Contemporary Art, Lagos


Sponsors /

National Culture & Arts Foundation

Tung Ho Steel Enterprise Corp.

Taishin Bank Foundation for Arts and Culture


Partners /

Netherlands Office Taipei

RAVY 2023

Circle Art Gallery



more info ☞

HONG GAH MUSEUM


16.10.22

_TALK : JAOU PHOTO_ENCOUNTERS

JAOU PHOTO

Kamel Lazaar Foundation
Lira Building, Rue de L’île de Malte, Les Jardins du Lac, Les Berges du Lac 2, Tunis, Tunisia













The Kamel Lazaar Foundation and the French Institute of Tunisia are organising Jaou Photo, which will open from 6-20 October 2022 in Tunis, alongside an outreach programme to the country's cities outside the capital (Sfax and Sousse). Jaou returns for its sixth edition after the impact of a global health crisis under the theme ‘the body in all its dimensions, with a focus on photography, image making and moving images more broadly. With its location in Tunis at the crossroads of the Mediterranean, the Arab World and Africa, Jaou Photo aims to bring together photographers and artists from all walks of life alongside galleries, art critics, intellectuals, and academics in an event of international scope.













For the sixth edition of JAOU Tunis, from October 6 to October 20, 2022, KLF is responding to the worsening economic and political conditions of the country. There will be a citywide exhibition, ‘Our Time, Even in Dreams’, of photographic works by more than 100 artists, among them Joiri Minaya, Mouna Karray, and Athi-Patra Ruga displayed on public billboards and curated by Karim Sultan. ‘A Wake Up Song Mr. President’, is a pop-up exhibition curated by Andrea Bellini of the Biennale de l’Image en Mouvement, Geneva (BIM) and Lina Lazaar, which presents highlights from the last ten years of BIM at the historic sixteenth-century Abdellia Palace in the La Marsa suburb of Tunis and includes Hannah Black and Mandy Harris Williams, amongst others. ‘What Can We Learn and Unlearn When We Speak Together’ is a symposium led by Stephanie Bailey, formerly editor of the KLF-supported online platform for visual culture, Ibraaz, and now at Art Basel, with participants including curator Simon Njami, the transnational online radio station, Radio Alhara, academics Joan Kee and Dr Huda Tayob, and artists Evan Ifekoya, Musquiqui Chihying, Gabrielle Goliath, Ho Tzu Nyen, Khookha McQueer, Hito Steyerl, and The Otolith Group.

















This event is hosted by the Kamel Lazaar Foundation and the French Institute of Tunisia. Curated by Karim Sultan , Olfa Feki , Simon Njami, Andrea Bellini and Amira Zili. Institutional partners: Tunis City Hall, the Tunisian National Tourism Office (ONTT), the “Tounes Wijhetouna” Program (funded by the EU), the French Institute in Paris, the Embassy of Switzerland in Tunis, the Italian cultural Institute and the Goethe Institute. Partner cultural venues: Central Tunis // 32 bis // B7L9. With support from : Orange Tunisia // Le 15 Tunis.

more info 

Kamel Lazaar Foundation

Art Basel


27.6.22

_SCREENING & TALK

WIELS centre for contemporary art

Avenue Van Volxemlaan 354, 1190 Brussels, Belgium 



OPENING : Shuruq Harb & Musquiqui Chihying

in conversation with An van. Dienderen and Reem Shilleh


29. June 2022

Wed 17:00-21:00

Free


Shuruq Harb (b. 1980, PS) and Musquiqui Chihying (b. 1985, TW) are artists that subvert dominant cultural narratives through their audiovisual practices. As winners of the 2019 Han Nefkens Foundation production award, they have been commissioned to produce new moving image works, The Jump and The Lighting, screened in WIELS over the summer, fellow artists An van. Dienderen en Reem Shilleh will speak to Harb and Chihying about these new works.


PROGRAMME

17:30, 19:00, 20:30 I Screenings The Jump and The Lighting 

18:00 – 18:45 I Musquiqui Chihying in conversation with An van. Dienderen  

19:30 – 20:15 I Shuruq Harb in conversation with Reem Shilleh 


more info 

WIELS







12.6.22

_TALK : STATE ACADEMY OF FINE ARTS KARLSRUHE

State Academy of Fine Arts Karlsruhe

Staatliche Akademie der Bildenden Künste Karlsruhe
Vortragssaal Reinhold-Frank-Str.81 / Vordergebäude



Punch Light

Vortrag des Filmemachers und Video-Künstlers 



At this presentation, Musquiqui Chihying will screen and speak about his latest video installation, The Lighting (2021). The work explores the issue of discrimination resulting from technological development and image production: A Taiwanese software engineer and three professional Togolese photographers discuss the production of images in transition from human operation to computational algorithms. The film also contains a short kung fu film, which was produced through the use of Kodak's 16mm Echtachrome, in the style of an exploitation film using images of the famous Black martial artist Jim Kelly in the 70s Hong Kong film industry.


In addition, Chihying will share his ongoing project about the criticism of ethnological collections in museums, which also relates to the discussion of contemporary exchanges between the Asian and African continents.


Streaming-Link



more info 
Event Page

Staatliche Akademie der Bildenden Künste Karlsruhe





30.5.22

_EXHIBITION : ON THE FAIENCE OF YOUR EYES


LIUSA WANG

77 rue des Archives

75003 Paris




































On The Faience Of Your Eyes

Musquiqui Chihying


Open from 19. May 2022

Tue - Sun 11:00-18:00

Closed on Mon



Continuing Chihying's long-term critical research into museums and collections, "On the Faience of Your Eyes" attempts to explore how the views of the others are shaped by displays and the creation of systemized knowledge, by reviewing two historical exhibitions of Asian artefacts exhibited in Western museums. The first exhibition, titled "Chinese Art" (Chinesische Kunst) was held in 1929 at the Berlin Academy of Arts (Akademie der Künste), located on the Pariser Platz in the capital of Germany. More than 1,000 exhibits were on display over a period of more than two months. This was the first time Chinese artefacts were displayed in Europe on such a grand scale. The second exhibition began at the Château de Fontainebleau in France in the mid-19th century, combining art from China, Siam, Japan, Korea and Tibet, which is still going on today. Whether the exhibits were acquired through war looting, gifts or acquisitions, after the Western collectors combine their imaginations and appropriation directly into these objects, the two exhibitions clearly reflect the image of the others that the viewers are pursuing. A famous poem from Victor Hugo, "Vase de Chine", is used as inspiration for the exhibition's title "On The Faience Of Your Eyes". Through this French writer's poetic personification of exotic artefacts from the East, the installations in this exhibition examine the orientalist gaze generated by colonialism and violence... 


more info 

Installation view of The Shelf, 2022 © LIUSA WANG




















Installation view of The Vitrine, 2022 © LIUSA WANG

















Installation view of The Looty, 2022 © LIUSA WANG






 
Yin And Yang